No time and no internet to blog from this weekend’s New Hampshire Highland Games—so without further delay, here’s the conclusion of the Transatlantic Seaway Music Collaboration’s Saturday-afternoon set at the Octagon Lodge. This performance is awesome and I would say that even if I weren’t on the Berklee payroll. You should really, really watch it. Kicks into high gear at 1:05.
18 musicians! Visible are Isbel Pendelbury, clarsach; Finlay MacDonald, whistles; Hamish Napier, flute and feet; James MacKenzie, flute; Ainsley Hamill, voice; Hannah Read, Duncan Wickel, Trent Freeman, fiddle; Eric Robertson, mandolin; Courtney Hartman, guitar; Lucas Pool, banjo; and Monica de Vitry, cello. Read more about the collaboration (and more to come).
Berklee alumna Maureen McMullan, part of the Transatlantic Seaway Music Collaboration, performs at Berklee's Don Was tribute in 2009 (admittedly not a very Celtic event). Photo copyright Phil Farnsworth.
According to the color-coded schedule I got from Larry Bethune, VP for student affairs/dean of students, the two dozen? members of the Transatlantic Seaway Music Collaboration have just arrived at Loon Mountain for the New Hampshire Highland Games. It’s the debut of a collaboration between Berklee, the University of Strathclyde, and the Royal Scottish Academy of Music and Drama, with support from Glasgow UNESCO City of Music.