Berklee Blogs

First-hand accounts of the Berklee experience

Tag: music (Page 2 of 26)

music

Insider’s Scoop Backstage at Electric Daisy Carnival

By Edward Ma

more EDCLast month, I had the amazing opportunity to attend Electric Daisy Carnival (EDC) in New York with my classmate Kim Barbosa as Heavy Rotation Records (BPMI) representatives for our artist Glow Team. Heavy Rotations Records is an on-campus record label that signs a select group of Berklee artists each year and helps the signed artists build a solid fanbase until festival season. I learned so much about the live concert industry from working as the point person for Glow Team at EDC, and I’ll be giving the insider scoop on how logistics run in an event as such!

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Music Meets Medicine in Ghana

Apiwe image 1In January 2016, the nonprofit MusicXChange, founded by Berklee student Federico Masetti, organized a two-week service trip to Ghana to build strategic partnerships and raise awareness about the organization. The following post was written by Apiwe Bubu, one of the trip’s participants. Read a post by fellow participant Ellie Foster.

By Apiwe Bubu

Suffice to say, January 8 in Kumasi, Ghana, was an incredible day. We awoke to chase yet more productive meetings and encounters with Ghanaian kin and professionals, and our first stop was our meeting with Dr. Thomas Poku. He is the personal doctor of the Ashanti king, and someone well versed in the medical and health world. Given that the king himself entrusts Dr. Poku with his health shows that this is a man with good credibility and ability. It was good to hear him vocalize his support for the MusicXChange initiative and introducing music therapy in Ghana. What I did find interesting was his job at the hospital where he explained how he at times used music to calm his patients and sometimes break some devastating news to them, such as diagnoses of HIV or AIDS.

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Berklee College of Music Featuring Ava Suppelsa

Screen Shot 2016-03-03 at 2.43.54 PMWith her blend of folk, pop and country Ms.Ava Suppelsa has the voice of an angel that will sweep you off your feet. Born and raised in Evanston, Illinois, at 18 years old Suppelsa is already well beyond her years with her achievements. Starting at only 12 years old she began writing her own music and performing all over the Chicago area. In 2013, Suppelsa participated in the Interlochen Arts Academy in Michigan. The Academy is a boarding school for grads 9-12 specializing in the arts and music. Her emphasis was being involved in their singer/songwriting program.

Now many years into the future the extensive high school music career paid off when she received her acceptance letter for the Berklee College of Music Class of 2019. Currently she is duel majoring in Songwriting and Music Business. We will soon be treated with the release of her newest EP that has not been titled yet. I was honored to be able meet with Ms.Suppelsa to talk about her first year of Berklee and the newest accomplishments to her repertoire of experience.

To hear Ava talk about her journey at Berklee and her future Click Here.

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Fashion Designers’ Forgotten Muse

by Kim Logan ’10

Close your eyes, and you’re in 1965…  

Young haute designers Ossie Clark and Andre Courrèges are going head to head with heavyweight Yves St. Laurent to debut the collection that will most epitomize the swinging sixties.  You’re sitting front-row at all three runway shows, and you see the birth of the mini-skirt.  You see Mondrian and triangle-shift dresses, go-go boots and huge earrings.  You see sleek black turtlenecks and bottle-blond bangs, silver lamé and flamboyant furs.   It’s so thrilling to have time-warped to experience this psychedelic explosion of fashion culture, but perhaps even more exciting is the fact that all three of these designers have drawn their inspiration for their collections from the deep well of 1960’s musicians and artists.  Those black turtlenecks came from the slim bodies of Edie Sedgwick and Nico, and those mini-skirts were alive and well on Marianne Faithfull and the French pop darlings of yé-yé music long before they were sold in stores.

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BGJI: Letting Go of Ego and Making New Music

Berklee Global Jazz InstituteThe Berklee Global Jazz Institute (BGJI) is a performance program designed to foster creativity and musicianship through various musical disciplines, with pianist and composer Danilo Pérez as its artistic director. The BGJI provides a comprehensive contemporary music environment where students are given opportunities to explore their creativity to the highest level possible, advance the power of music as a tool for the betterment of society, and connect musical creative thinking with the natural environment.

BGJI

Neta Raanan

During my first audition for Berklee Global Jazz Institute I was star struck. Walking into the BGJI office, Danilo Perez, Marco Pignataro, and John Pattituci sat at a table in the corner of the room. The first time I had heard Danilo Perez was at the Blue Note in New York City with Jack DeJohnette’s band a few years earlier. Sitting behind him that evening I was convinced he had something similar to the powers of Storm from X-Men. With the rhythmic integrity and harmonic colors he played with it seemed like he could crack open the sky with thunder and rain or cause the sun to come out at will. Pattituci’s rich bass sound and the grooves he creates with Brian Blade on records like Wayne Shorter’s ‘Beyond the Sound Barrier’ are something friends I played with used to imitate as best as they could.

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