While in Cuba, the students in Berklee’s Interarts Ensemble worked on their compositions at the Laboratorio Nacional de Música Electroacústica, founded by Cuban electroacoustic pioneer Juan Blanco. Katie Bilinski described its role in relation to the Instituto Superior de Arte as like that of Mix One Studios to Berklee. This is where they spent most of their time, preparing the pieces that would be shown during their final concert at the Museo de Bellas Artes.
Julia Easterlin practices with the help of LNME engineer Miguel Parera.