This past fall, Israeli recorder player and composer Tali Rubinstein B.M. ’14 was invited to fill harmonica virtuoso Antonio Serrano’s spot with Flamenco Legends, the late Paco de Lucia’s band, now led by Javier Limón, artistic director of the Mediterranean Music Institute. Here are a few selections from a travel journal she kept over the course of the tour. You can also read the full travel journal.

By Tali Rubinstein B.M. ’14

Tali Rubinstein and Flamenco Legends in the touring vanTuesday, October 31, 2017

Being on an airplane is one of the strangest situations. It is as if time has paused, someone put the hourglass sideways. You are obliged to wonder, to doubt and ponder. I am on my way from TLV to Sacramento, to join the late Paco de Lucia’s band, “Flamenco Legends,” led by Javier Limón. Indeed, what a legendary moment I’ve been waiting anxiously for, for so long! Only one hour left for this flight in this crowded cabin, and then time starts rushing again, towards our first show out of four, tomorrow. Just as a typical musician, I had close to zero time to practice, and the music is probably the most challenging repertoire I’ve faced as a professional musician.

So – what do I do?? I practice in my head, on the airplane. For 11 hours straight, I listen to the music and imagine that I’m playing. Much of a professional musician’s practice is done on aircrafts, subways, buses, cars, and other vehicles, as I discovered during the past few years. So much of our work is everything but the music – scheduling, arranging flights, coordinating, preparing charts, correcting charts (there will always be another mistake in the chart, no matter how many times you correct it – it’s a rule of nature…). So, the actual musical work becomes so precious and unique, you really start appreciating transcribing solos and working on scales, like never before.

Flamenco Legends on stageAlso, you become creative (and shameless) in the way you practice – playing an imaginary recorder on the plane, next to people, writing notes to self like: “‘double notes F’ theme goes into ‘romantic C#’ theme”, and hoping it will still make sense at the end of the flight… Listening over and over again to Antonio Serrano’s solos and wondering if there is a slight chance that Charlie Parker transformed himself into a Spanish harmonica player. In any case, Antonio, who I am subbing for, is brilliant beyond any description. I just wish I could take a picture of every phrase he plays, frame it and hang it in my room. The question is, how do I get into these huge Spanish shoes?

Tali Rubinstein and band rehearsingWednesday, November 1

Today is a special day. In one hour I’m going to have a rehearsal with Antonio Sanchez, and this evening we have our first show in Folsom, CA. After a very long travel day yesterday (26 hours, three airplanes) I arrived in Sacramento. Our lovely tour manager, Tim, picked me up at the airport and took me to our hotel to meet the guys. I quickly settled in my room and went downstairs to say hello to everyone: Piraña (percussion), Alain Pérez (bass), Farru (dancer), David de Jacoba (singer), and Antonio Sánchez (guitar). I was very excited to meet them, although I hid it well under my jetlag. We briefly spoke the best of my Spanish (thank you, Deborah Bennett, Spanish 1!) and the best of their English – both very basic, but thanks to Tim, who is fluent in both languages, we could communicate longer sentences than 3 words.

Flamenco Legends take a bow after a performanceMonday, November 13

After an intense week back home in Israel, I finally have a moment to sit and write. I just read everything I wrote so far, and I’m realizing – I didn’t actually write a single word about the concerts! it was just too much to take in and too little time to process.

During the first show in Harris Center (Folsom, CA), I was trying so hard to play all my parts right in the correct moments and not to forget anything, that I wasn’t really paying attention to anything else other than that. I remember starring emptily at Farru’s dance solo, while actually running through my next line and trying to remember on which beat it begins, how many measures it is and after who’s solo… but, well, sometimes it’s like that. There’s just so much brain to go around at each moment, and in emergency mode, you recruit every cell to the performance.

Listen to “The Song that Reminds Me of the Circus” by Tali’s duo Tal y Tali:

Since I was partially paralyzed during most of that concert, I decided that for the remaining three shows I will be on a mission –  I told myself, “Tali”, (I refer to myself in 3rd person to make myself seem more dramatic to myself) “You know what?”, and I knew what – “From now on, you are going to HAVE FUN, no matter what it takes, and you won’t let anything or anyone stand in your way!!!” Then I shook my own hand, which I felt was a bit much.

Setting the venue up before a Flamenco Legends showThe next three shows were in Mesa Arts Center (Mesa, AZ), Valley Performing Arts Center (Northridge, CA), and Musco Center (Orange, CA). In every concert there were numerous people in the audience who knew all the tunes, cheered for every musician enthusiastically and yelled in Spanish. It was really beautiful to see how loved and respected these musicians are – not only are they phenomenal, most of the audience seemed to really understand Flamenco and deeply appreciate their musicianship. There was a sincere connection between the audience and the musicians, of mutual appreciation and gratitude, devoid of hierarchy. I loved witnessing that.

How can I sum all this up? Did I actually get to enjoy? Is Flamenco a little part of me now? And what would have Paco thought about this? I can’t even answer the first question. This overwhelming experience came one week after my father passed away. I was a coin flip away from cancelling my participation in this tour. But at the very last minute, I decided to do it. There were many shaky moments when I felt extremely insecure, unsure of what I’m doing and why. But after all the cluttered thoughts during travels and sound checks, the second the lights went off and the show began – there was a thrill of pure anticipation and excitement. The silence before the first note was a world of possibilities. And the music felt like slowly un-revealing a secret… An hour and forty minutes of being very much alive.

Read Tali’s full travel journal to hear even more about her life-changing tour.

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